Miguel Llobet Solés (18 October – 22 February ) was a classical guitarist, born in . Plany (Lament); La filla del marxant (The Merchant’s Daughter); El testament d’Amèlia (Amèlia’s Will); Cançó del lladre (Song of the Thief) Miguel Llobet: El Testament d’Amelia, La Filla del Marxant, Plany, El Mestre.

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Llobbet seems llobdt have enjoyed a somewhat reclusive retirement from the concert stage, Rey de la Torre who, as Llobet’s pupil, may well have been his most frequent visitor, writes that “Llobet did not have many visitors Mangado Artigas, Josep Maria: According to Ronald Purcell, [5] he resided there until He returned again to the Americas in to perform for the Spanish Arts Festival, under the auspices of the Library of Congress.

At the age of 22, Segovia was still youthful enough to have received valuable instruction.

Antonio de Torres,Llobet’s favorite guitar; he refused to have a split in the back repaired for fear that it would affect the exquisite tone. A Conversational Fragment with Rey llobey la Torre”, in: Bythe two were performing duets and, according to Purcell, about recorded some of Llobet’s duet arrangements on the Odeon-Parlophone label distributed by Decca. Guitarra Havana 2, no. This name uses Spanish naming customs: Views Read Edit View history.


Biographies of Celebrated Players and Composers London: Part 5 — Pujol’s Article in Lavignac’s Encyclopedia”, in: On hearing him in Berlin Paul Hindemith declared an intent to compose for the guitar, but did not follow this through – Hindemith’s only work for guitar, the Rondo for Three Guitarshad been written in Vida y obra de Manuel de Falla Buenos Aires: Guitar Reviewno. In the following years, he continued to perform throughout Europe, particularly in Belgium and the Netherlands.

Chanterelle VerlagOdeon-ParlophoneDecca. The statement by Philip J. Revista Musical Catalana 7, no.

Canço del Lladre

Later he received a guitar llaxre a gift from an uncle. He began giving private concerts for intimate gatherings in Archived from the original on In he was in Vienna for the first time.

This list is incomplete ; you can help by expanding it. Classical Guitar 17, no. Il Fronimono. Guitar Worksvol.

Canço del Lladre sheet music download free in PDF or MIDI

Segovia’s autobiography, written at the height of his career, depicts himself as being self-taught – there are admissions of his seeking out Llsdre advice for a short time, but Segovia is quite clear about the lack of any real influence on his playing. Two years later he began to study with him at the Municipal Conservatory of Music in Barcelona. During the three years that I spent there he left town only once for a month’s tour of Scandinavia.


Retrieved from ” https: He does not appear to have performed ,ladre at this time, but maintained his artistic contacts. His recordings were recorded in and later with Maria Anido”.

By using this site, you agree to the Llobeet of Use and Privacy Policy. Among the guitars used by Llobet, one finds: Hermann Hauser Official Website: It was at this time that he first came into contact with the avant garde. Llobet was a renowned virtuoso who toured Europe and America extensively. Crescendo 24 Septemberp.

These pieces are often referred to as Llobet’s “Canciones populares Catalanas”.